OxACT

OxACT’s 2016-2017 Season

 Additional information and ticketing

The Oxford Community Theatre is an independent OCAC partner organization making their home in the Arts Center.  Ticketing and all production decisions are made at OxACT's discretion.  Please direct all questions and concerns to OxACT directly using the link above.  

Artart
by Yasmina Reza
directed by Mike McVey
Nov. 4, 5, & 6
Described by Newsweek as sounding “like a marriage of Moliere and Woody Allen,” Art won the 1998 Tony Award for Best Play and the 1996 Olivier Award for Best Comedy. Navigating the complexities of aesthetics, maturity, and evolving friendships, Art concerns three long-time friends, Serge, Marc, and Yvan. Serge, indulging his penchant for modern art, buys a large, expensive, completely white painting. Marc is horrified, and their friendship is challenged as a result of their differing opinions about what constitutes “art.”
Yvan, caught in the middle of the conflict, tries to please and mollify them both to preserve the friendship.


Talley’s Folly
by Lanford Wilson
directed by Virgil Seger
Feb. 18 - 19 and 24, 25, & 26
Graceland takes place outside the front entrance of Graceland, at 5 a.m. three days before the estate is to be opened to the public. Two ardent Presley fans, middle-aged Bev and young Rootie, have arrived at the sacred gates, each desiring to be the first to enter the grounds, and each believing that she is the one most deserving of the honor. Wary at first, the two soon progress from dispute to shared confidences and a touching resolution. Asleep on the Wind serves as a “prequel” to Graceland, taking place ten years earlier in Bayou Teche, Louisiana, where adolescent Rootie and her favorite brother, Beau, come to talk in private and to escape the harassment of her other brothers. This time Beau has a double purpose for their meeting: to persuade Rootie to try to stick it out at home and in school and to reach beyond him for companionship; and also to tell her that he has enlisted in the army and has requested service in Vietnam. Birding with Aunt Nancy, winner of the Fitton Center New Play competition, finds two sisters, Ellie and Mim, as they have traveled to their favorite Aunt’s favorite bird watching spot to spread her ashes. With the assistance of their Aunt’s favorite bottle of Scotch, left to them in her will, they use humor to celebrate her life, mourn her death, and grapple with the legacy of painful family relationships. Strawberry Island provides us insight into the past that has brought these characters to where they are, finding the two sisters as children on vacation in Michigan, visiting their favorite aunt. Having rowed to the small, uninhabited island in Lake Huron where Nancy has built a bird blind to monitor the migrations of bald eagles, they encounter another pair of young siblings, locals who challenge the sisters to a competition—who can collect the most wild strawberries in 10 minutes. But the game reveals much more than simple competitiveness, as the sisters begin to confront the impending divorce of their parents and their growing understanding of their own feelings about generosity,
loyalty, and fairness, with both humor and frustration.


4x4four by two (by four)
by Ellen Byron & Rebecca Howard
directed by
Rebecca Howard,
Lisa Biales, Teresa Gordon, & Jeff Douglass
Apr. 22 & 23
and 28 & 30

Winner of the 1980 Pulitzer Prize for Drama and the New York Drama Critics’ Circle Award as best play of the season, Talley’s Folly is the story of one night in the lives of two  unlikely sweethearts, Matt Friedman and Sally Talley. The play takes place in a  dilapidated boathouse on the Talley farm in Missouri on the Fourth of July, 1944. Matt gradually awakens Sally to the possibilities of a life together until, in the final, touching moments of the play, it is clear that they are two kindred spirits who have truly found each other—two “lame ducks” who, in their union, will find a wholeness rare in human relationships.”It is perhaps the simplest, the most lyrical play Wilson has written—a funny, sweet, touching and marvelously written and contrived love poem for an apple and an orange.” —NY Post.